The idea for creating this typeface was to make it geometric, elegant and kind of vintage, especially for titling. It is inspired by Rudolf Koch’s Kabel (1927), Rudolf Wolf’s Memphis (1930), Paul Renner’s Futura (1927).
My idea was to draw something with good style, that reflects Swedish design and their passion for a good lifestyle, and by default all other Scandinavian styles.
Josefin Sans Font Free
Illustration by Freefonts.io
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle.
The spectacle before us was indeed sublime.
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds.