Neue Haas Grotesk is a premium font style designed by Max Miedinger in 1957-1958 for the Haas’sche Schriftgiesserei in Switzerland, and art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk is a combination of British and Germany font grotesque that had become hugely popular thanks to the success of functionalist Swiss typography.
As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion.
Neue Haas Grotesk Font
The font family has a great touch and robust style with adaptive weights and matching italics version.
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle.
The spectacle before us was indeed sublime.
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds.